Stories

LabWorks: Meet This Year’s Cohort!

The four femme-identifying LabWorks Artists of the 2023-24 cohort sitting side by side and smiling at the camera

The 2023 cohort of New Victory LabWorks Artists is currently creating innovative, original works that seek to challenge and push forward the field Theater for Young Audiences (TYA). Some of them may be in rehearsal, others might be in the confines of their bedrooms finishing their scripts, or sitting next to you on the train while they write their ideas on their phone’s notes app. Wherever these artists are in their creative process, the New Victory is honored to have them as a part of our growing family.

We learned more about the incoming femme-identifying cohort by asking them questions about their art-making process and their interest in creating work for young audiences. See what they have to say below!

When you were a kid, what inspired you to create art?

Woman with dark, short, curly hair wearing gold hoop earrings, a gold necklace and a yellow tank top smiles at the camera, with multicolor, transparent rectangle graphics surrounding her
Melle Phillips (she/her)

Melle Phillips: I was incredibly quiet and shy in school! The only time I was vocal was during shows of any kind, but at home, you couldn’t tell me I wasn’t Diana Ross! I also watched a slew of old musicals with my mother. She loved the fashion, and I loved the performances! I wondered why people that looked like me weren’t included except for domestic roles. Everything was so glamorous, yet that glamor wasn’t for everyone. Coming from a culture that is so bright and brilliant, I wanted to revel in that and put it on display. It was only when I became a teen that influential teachers helped me realize that art could have a message. They showed me how my work could have multiple functions, and that is what excites me to this day. I can share a message, and it can be reflective, truthful and stunning.

How did you get into your specific art form?

Woman with dark, long, straight hair wearing a black shirt and multicolor jacket smiles at the camera, with multicolor, transparent rectangle graphics surrounding her
Divya Mangwani (she/her)

Divya Mangwani: As a child, I always had my nose buried in a book and was fascinated with storytelling. I started writing as a way to make up more stories—short stories and poetry at first and a valiant attempt at a novella. I studied the Indian classical dance of Bharatnatyam and wanted to be a dancer. Then I saw a play for the first time when I was 15 and the theatricality of the storytelling took my breath away. I started my own theater company in India where we championed original plays and community building. I worked on school productions and young audience theater workshops, and that’s where I found my joy and magic.

What influences from your childhood affect the art you create as an adult?

Woman with dark and blonde hair pulled back wearing a tan, collared shirt and navy overalls smiles at the camera, with multicolor, transparent rectangle graphics surrounding her
Tidtaya Sinutoke (she/her)

Tidtaya Sinutoke: As someone who grew up in Asia, reading manga is something we are familiar with. I don’t read a lot of manga, but the ones I read shape how I live my life. Often, the protagonist will seek recognition and have a dream, but also face challenges that make achieving their goals seem impossible—whether because they’re not as tall as their other team members, they’re inexperienced in the board game or there’s a demon inside their stomach! Those stories taught me not to give up on my dreams, whether or not it seems impossible to everyone. As long as I believe everything is possible. the willpower to continue fighting is rejuvenating.

Why is it important to create work for young audiences?

Person with red, short, curly hair wearing small, gold hoop earrings, a hoop nose ring and a gray and white shirt smiles at the camera, with multicolor, transparent rectangle graphics surrounding them
Mahayla Laurence (they/she)

Mahayla Laurence: So many aspects of childhood education still point toward an ethos of prioritizing an unquestioned authority and defaulting to an ingrained binary (right/wrong, good/bad, etc.). I want to be a force that can counteract the effects of the current educational structures with experiences that allow students the opportunity to step outside of the traditional learning environment, to build critical thinking skills, to establish a routine of self-trust, and to engage with social/emotional learning and communication in an entertaining and interactive setting.

What inspired you to apply to LabWorks?

Woman with dark, short, curly hair wearing gold hoop earrings, a gold necklace and a yellow tank top smiles at the camera, with multicolor, transparent rectangle graphics surrounding her
Melle Phillips (she/her)

Melle Phillips: I wanted to make good work for the most honest and yet vulnerable demographic in the world: children. What a privilege.

As these artists continue to showcase their passion and creativity, we await the impact that their work will have on young audiences. Their perspectives and voices will bring light to TYA and inspire the younger generations of artists to come.

Are you interested in learning more about these artists and the work they’re creating? Follow New Victory on Instagram, Facebook and Threads to get an exclusive look.

Leave a Reply

Your email address will not be published. Required fields are marked *

Comments Leave a comment